DID YOUR BROOKLYN STREET FLOOD? (1912)

******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************** By 1912, Brooklyn was drowning in rain water. The borough, by then, had installed so many more miles of cobblestone, macadam, and otherwise improved roads – than at any time in its past – that many of its streets would flood at the very hint of precipitation. In 1903, for example, the flooding was so bad that the Brooklyn Daily Eagle reported that “All the residences along Hancock, McDonough, Macon, Decatur, Bainbridge and Chauncey Streets were so flooded that residents on the ground floor apartments discovered upon waking that they were forced to go to the second floors to escape the waters.” The paths in Saratoga Park, according to one newspaper account, “had become running streams and benches were floating about.” The nearby Putnam and Halsey streetcars stopped running, as “it was impossible to take on any passengers, as the water was as high as the seats.” Thus, there finally came such an outcry from residents, who lived on the streets most prone to flooding, that the City decided to introduce more sewer lines to catch that water. At that time, to get an idea of what they were dealing with, the city sent out a small army of surveyors to gauge the lower lying areas of the city, so that […]
THE “SCREAM” OF MACON STREET (1907)

******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************** Female “personators” seemed to bring out the passion in folks back in the day. Maybe there was less sexuality involved in the whole dressing-as-a-woman thing. Or maybe it was simply a matter of sexuality not mattering at all. Or, as some say, it was everything. But when “The Great Eugene” took the stage – and he took the stage always as a woman – men, in particular, seemed to find themselves singularly rapt in attention and admiration at the spell that the talented female personator was casting over them. BUILDING THE PERFECT IMPERSONATOR The Great Eugene, otherwise known simply as Eugene, was named Eugene D’ameli as a child. He was born on Manhattan in 1836, and, according to The New York Dramatic Mirror (the Broadway rag of the time), he made his first debut at the tender age of 17, playing what he would end up playing the rest of his career – a “prima donna” – a persona which “he improved and perfected until it was considered the best of its class.” His partner, “Johnny” Unsworth, of 700 Macon Street, recalled Eugene’s beginnings in the minstrel theatre. “Because he was so small and slight and built somewhat like a woman Gene started female impersonations, always in black face, as a […]
TINTYPE, OWNER, 738 MACON ST. (1892)

This is the oldest picture we tracked down of a former owner of 738 Macon Street, a house which was the subject of our first House History Book, “No. 738 Macon Street: The Story of a House.” A tintype, it was taken around 1892 at Macy’s in Manhattan, a standard location where people went to have such parlor photographs made. The subjects of the tintype are Martin Loftus and his wife, Rose. (These are the grandparents of the celebrated Aunt Patsy, who we tracked down during the writing of the book. Click the link to enjoy a short interview with her about her time in the 1940s on Macon Street in Bed-Stuy.) Then recently married, Martin and Rose were living at No. 32 Greenwich Avenue in Manhattan where Martin was working as an engineer. Around the turn of the century they would move with three kids (and one on the way) to a wood frame house at 293 Bainbridge Street in the Stuyvesant Heights section of Brooklyn. The house no longer exists, but neither does the wood mill that sat next door to it. Another 20 years later, in 1919, and their 3-generational family of nine would move into 738 Macon Street – where members of the Loftus family would live for 32 years. Follow @BrownstoneDetec ———————————————————————————————————————– The Brownstone Detectives The story you have just read was composed from extensive historical research conducted by The Brownstone Detectives. We perform in-depth investigations on the historic homes of our clients, and produce […]
TILTING AT FLATBUSH WINDMILLS (1879)

******************************************************************************************************************************** Brownstone Detectives investigates the history of our clients’ homes. The story you are about to read was composed from research conducted in the course of one of those investigations. Do you know the history of YOUR house? ******************************************************************************************************************************** It was iconic like the Williamsburg Bank building (1 Hanson Place) at Flatbush Avenue. It had stood on the same Flatbush farm for 75 years – a relic of our Dutch past and a connection to our Brooklyn roots. Most Brooklyn residents had never seen it – but everyone knew of it. It had even made such an impression on the psyche of 19th century Brooklynites that socialite Gertrude Lefferts Vanderbilt included its destruction in her book, The Social History of Flatbush. And, incredibly, it had even had a special significance to the “colored” people of New York and Brooklyn, as it was used during the Civil War draft riots of 1863 – which had spread from New York to Brooklyn – to shelter much of the city’s black population. By the late 19th century, though, it was no longer operable as a windmill. As landmarks went, however, no one could relegate the structure to any sort of second class status. It was a Brooklyn landmark through and through. But all of that changed on a single night in 1879 when, through the bottom windows, the Vanderveer windmill began to spout flames. CONFLAGRATION! The flames rose so high, filling the eastern expanse of the night’s horizon, that people in the center […]
THE BLOOD BUBBLING IN SARATOGA FIELD

(The picture above shows one of the last years – 1912 – that Saratoga Field was used for skating – or any sports, for that matter – as the entire lot would be developed later that year. The image shows the “first skating” of 1912 in Saratoga Fields. Brooklyn Daily Eagle, Mon., 8 January 1912.) After Saratoga Park was built, the block due east of it – formerly used as a the horse market which sat across the street from the Halsey streetcar stables – became know as Saratoga Fields. This large lot which abutted Broadway, Halsey and Macon, became the stand-in location for circuses through about 1905, and then for assorted sporting events afterwards through early 1912. Because of its proximity to Saratoga Park, though, for a number of years after the park’s construction, Saratoga Field continued to be referred to as Saratoga Park. Run by the Saratoga Amusement Company (for circuses and assorted sports from the early 1890s), they had two main draws, from the people living in the community, to pay the rent. In the winter, they provided skating facilities to the masses, by flooding the field and making a huge outdoor skating rink, which was extremely popular throughout the winter. In the summer, the company improved the lot for use by semi-professional baseball teams, which flourished in this part of Brooklyn. There were countless ball teams from the area which vied to defeat one another on a daily basis – and the competitions were covered keenly […]